=====
From kingofmycastle@gmx.net:
Poor guy.

=====
From htkra1d@hotmail.com:
Nice one. Enough said. No bad things, and that hostage looks damn real ;-).
=====
From extrememarinerfan@home.com:
The detail in this picture is excellent!
=====
From PovRayGuy@aol.com:
Good stuff!

=====
From jaimevives@mixmail.com:
Great! That bricks are excellent! :) No, really, they look better than any
other I've never seen. The wood is also very nicely textured. And the light
is simply perfect. Another touch is the good use of the Poser model. But 
I would have prefered a more darker ambient on the shadow parts (to enforce
the theme ambient).



=====
From ZenPsycho@yahoo.com:
Very nice.. powerful image. 

=====
From youknow@ucan.foad.org:
The cracked walls and floor are very cool. I like the
lizard; it's a wonderful touch. I think perhaps the light
coming in from the top is a bit too cheerful and bright.

=====
From delfeld@mailcity.com:
The image was better before I read your text file.  "Rebel forces"?  Why would
rebels own a prison (the design is not a converted house or building, but
specifically a prison)?  Why would rebels hold a tourist?  It is more likely
that the person is a political prisoner, i.e., someone who has cause trouble
for a government in some way or another.  Also, expatriots are less often in
prison than locals - something to the tune of 99.9% nationals.  The same
analysis could be given to the rest of the badges you offer your prisoner, but
you are only covering all bases, allowing the viewer to come up with his or her
own interpretation.  In this case, it would have been better to be generic or
abstract in your text file, since that would more accurately reflect the
contextual ambiguity of your image.  

But, to add critique to criticism, there is no necessary relation to the theme
in the image.  A fortress implies a dialect between the internal and external
world with a struggle to get from one place to the next.  The prisoners
gestures signify resignation, and there is no indication of what is keeping him
there, just that he is there.  

